The piano music of Gabriel Fauré
is among his best known work. Written between the 1860s and the 1920s, Fauré
's major sets of piano works are thirteen nocturnes
, thirteen barcarolles
, six impromptus
and four valses-caprices.
These sets display the change in his style, over the decades, from uncomplicated youthful charm to a final enigmatic but sometimes fiery introspection, by way of a turbulent period in his middle years. His other notable piano pieces, including shorter works, or collections composed or published as a set, are Romances sans paroles, Ballade in F♯ major, Mazurka in B♭ major, Thème et variations in C♯ major, and Huit pièces brèves. For piano duet, Fauré composed the Dolly Suite and, together with his friend and former pupil André Messager, an exuberant parody of Wagner in the short suite Souvenirs de Bayreuth.
Much of the ambidextrous Fauré's piano music is difficult to play, but it is rarely virtuoso in style. The composer disliked showy display, and the predominant characteristic of his piano music is a classical restraint and understatement.
A 1925 photo of Wongudan, an altar site in Seoul built in 1897 as a location for the performance of the rite of heaven. King Seongjong of the Goryeo Dynasty was the first to perform the rite, designed to ensure a bountiful harvest, in the tenth century. The practice was discontinued by later Goryeo kings, revived briefly in the mid fifteenth century by Sejo of the Joseon Dynasty, then reinstated with the founding of the Korean Empire in 1897. Much of the altar complex was destroyed during the Japanese occupation, and the gate and fountain seen here were also subsequently removed, leaving only the three-storey Hwangungu pagoda remaining.